A Bifurcated Analysis of Overly Indulgent Self-Reference and Metacriticism (#poem)

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I don’t like all your self-referential poems and
Confessional narratives where you just go on and
On and on with your boring anxieties and
Insights into a meaningless existence.
I mean, just like the time you said

She floated on an azure sky and
Had lips that made the rain seem dry.
It started as a conventional statement of
A poet who likes women with moist lips,
But then you had to go and address the
Reader directly before declaring how
Much you liked her hair that seemed to
Have been spun from mists of gold or
Some such shit.

It is just the typical male objectification of
Women, and I, for one, am tired of it,
And I’m sure the readers, if you have
Any, agree with me.

And I must here apologize to the reader
For the overall incoherence of this
Of this rant, or whatever it is.

Nobody needs poetry, anyway,
And if you are trying to process your grief, shame, or
Rage, just get out in front of it.
Lay off the self-indulgent,
Pseudo-intellectual clap trap and confront
Your own failings
Directly.

Then, you can leave your damp-lipped damsel
Alone on the beach to do whatever she wishes with
Her own alabaster thighs as you turn away
Your gaze.

I, personally, have no patience for
Anxious but idealised objectification of
Beauty. I would rather turn my attention
To the dry-lipped strength of a messy-haired
Physically strong woman who pulled me
Up, sometimes literally, when I felt I had no
Reason to lift myself.

But that is only some kind of self-interested
Infatuation, too. Idealising a person based on
My own needs.

I guess it is no wonder why so many
Male poets just describe women as flowers.

If She Didn’t Like It (#poem cw/tw)

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She spotted him across the bar,
And her pulse quickened.
She wasn’t surprised to see him;
She knew he would be here,
But she stepped outside to finish
The joint she had started earlier.
After a few long drags, she
Went back in, downed a
Shot of tequila, and walked over.

She looked him straight in the eye,
Took his hand, and led him outside.
She firmly guided him to a dark spot,
Stared blankly into the dark, and
Unzipped his pants. He was full
Of confidence. “She couldn’t get
Enough, eh? Had to come back
For more of the good stuff.”

She was numb.
He was nothing.
He meant nothing.
It meant nothing.
It was only mechanical.
She wasn’t damaged.
She was strong,
Because she could
No longer feel.

If anyone accused him of
Rape,
He would say,
“If she didn’t like it,
Why’d she come back for more?”

On the Sixth Meditation and Montaigne (#poem)

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The most wretched and frail of all creatures is man, and withal the proudest.” ~Michel de Montaigne

Budding literary critics are advised that
If they do not see sex in the text,
They should look for death
As these are the most common themes
In literature, but aren’t they really only
One theme? It isn’t an accident that an
Orgasm is known as “la petite mort.”

Consoling a friend who was temporarily
Overwrought by an awkward social situation,
I counseled that it was “only sex” in the end.
Implacable, he reminded me that many species
Only live long enough to pass on their genetic
Coding for future generations, and he was right enough.

Somehow sex is our defense against death,
And simultaneously against the dreariness of life.
The little death is a reprieve from the trial of life,
And some become addicted to constant, temporary
Destruction. Everyone on the pull is merely
Engaged in a frantic meditation on annihilation.

Montaigne’s frank discussions of sexual attraction and
Relations were so riveting that his essays became
Popular erotic reading for ladies of the court,
But I bet they skipped to their favourite parts,
As Montaigne’s essays seemed to be a free dispensary
For the ongoing flow of words, images, and doubts
Flowing through his mind moment to moment.

I must admit, I don’t think I ever read a Montaigne essay
From beginning to end, either. It’s so much easier to just
Dip a toe in here and there, and face lust, barbarity, and
Despair all in one go. This was a man who knew we are
Only animals with the same genetic-driven compulsions for
Procreation and pleasure as any mammal, though we may hide
Behind our idea of refinement, which is only a bias for doing
Things in the way in which we’ve become accustomed.

On the Protective Qualities of Poetic Devices (#poem)

“We here must listen to the language for the discoveries we hope to make.” ~William Carlos Williams

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It’s worth asking the question of
Whether this particular collection
Of words can even be considered
A poem. It has no discernable rhyme
Or meter, though it may give a nod
To metaphor, mixed and mangled.

Assonance and consonance remain,
Sure, but there’s nothing like a simile
To be found, and no one would
Mistake its shape for a proper Form.
It might help if it made an allusion
To a great poem from the past like
Ode to a Grecian Urn” or something.
And the words may be personified,
Considering that they do all the work.

Some say a poem should speak some
Truth, even if it is full of lies, but what
Can anyone learn from this pile of rubbish,
Other than the difficulty of writing to a
Narrow prompt on rather short notice?

Or maybe the poem has simply taken
Cover, wary of inspection and harsh
Interrogation. The poem has adorned
A breastplate and drawn a sword.
Today no one shall come closer.
Today the poem is protection.

Sonnet 35: You’re My All, You Bastard (#poem)

You don’t have to feel so special.
We’ve all done some stuff. Lord,
If you knew half the things I did,
You’d wonder why I’m not in jail.
You can just forget about what
You done, ’cause God knows
I’d let you get away with just
About anything. It’s my weakness.
I can’t blame you for being tempted.
You’re young an horny as a rabbit.
I’m just a rickety old fool, pulled
This way and that by anger and lust.
I mean, I’m the person you done
It to, but I can’t stay mad at you.
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Democracy Died (#poem)

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Democracy died in the Senate chamber
When Supreme Court justice was never heard
Through a guileless force of legal obstruction.
Respect for law fell like old holiday garland.
A complacent nation did not demur,
Thinking true fascism could not recur,
Power transferred to a political poseur.
A complacent nation watched it’s legal destruction
And Democracy died.
They quickly forgot what they once were,
A nation of laws designed to deter
A tyrant seeking freedom’s complete destruction.
As the confident joked about his linguistic aberrations,
They let the unthinkable occur
And Democracy died.

It’s Not The Heat; It’s The Misery (#poem)

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On the Texas Gulf Coast
You do a lot of laundry
In the Summer.

Humidity stays at or near
One-hundred percent,
And temperatures hover
Around where skin melts.

Step outside your office,
And you’ll be drenched
Before you reach your car.
Better get the AC on full blast
And point it at the steering
Wheel until it’s cooled down
Enough to touch so you can
Drive home, cooler, but with
A persistent damp patch
In the small of your back.

On Perusing a Dictionary of Modern English Usage as It Pertains to Suffering

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Deferring to the OED, Fowler’s* tells us not
To spell “inure” as “enure” for variant
Spellings are not needed; even if “inure”
Has two meanings, it is still only one word.
But who ever heard of “inure” relating to
Anything but some form of suffering?

Something quite beautiful and useful
Might well be put “in ure,” which just
Means we like this well enough to
Make a habit of it, and that cheers
Me up a little, as I had become inured
To “drudgery and distress” (Fowler’s
Example) and need reasons for joy.

You are thinking the primary usage
Became the primary usage because
The world has more misery than
Benefit, but maybe it is the other way
Around. Maybe language defines
Reality after all. If we had inured
All the good things all along,
Maybe we’d be in a better place.

If contemplating stuffy usage guides
Had inured, perhaps I wouldn’t have
Missed so many opportunities to be
Cheerful, to glide blissfully through
A life of Best Practices. Instead, I grew
Inured to heartbreak and dreary poets
Clamoring on about their lost loves.

*Fowler’s Modern English Usage, by H. W. Fowler, a handbook for pedants and arrogant copywriters.