The venerable X. J. Kennedy used a poem about “vile rottenflush”
to illustrate bad poetry in his seminal textbook,
Introduction to Poetry.

The poem, he explains, was submitted to the equally venerable
Paris Review, but he does not credit (blame?) the author.
The poem about vile rottenflush, he clarifies, is too personal
and subjective to speak to anyone other than the person who wrote it.
He says, “the author has vented personal frustrations upon words,
instead of kicking stray dogs.”

Who am I to question the wisdom of someone
as accomplished as X. J. Kennedy?
I only know that I remember the phrase “vile rottenflush”
four decades after first hearing it. Also, I think the author of “vile rottenflush”
had witnessed a death of someone much loved, and anyone who has watched
the most cherished people in their lives die might understand the poem, after all.

I think this because the poem also mentions “corpseblood” and “ghastly stench.”
No one forgets the smell of a soul leaving the body.
And no one forgets what they see when life is flushed away.
Perhaps “rottenflush” was a novel way of avoiding the now
clichéd references to “putrefying flesh.”
Perhaps it is a way of reminding the readers
That our blood will cease to flow, pulse, and pump,
Only to be left to pool, drip, and stink.

The author of “vile rottenflush” might be accused of being too direct,
But not too personal. Which of us will not overwhelm
Post mortem viewers and handlers with our own
Ghastly stench, reducing them to cries or horror
As they see their fate clearly in our eyes?